Empire of the Sun artwork

• Retro graphic
• Cinematic artwork

Empire of the Sun artwork

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Retro graphic

Thanks to Andy Warhol and Roy Lichtenstein, pop art is back in 2024. This style uniquely emphasizes clichéd symbols of popular culture with modern elements like circles, pops of color, irony, and vision. It was regularly seen in fashion magazines and comic books to fine art.

In order to create your very own Bauhaus collage, you’ll simply need to open the Picsart app on your phone and search for Bauhaus or Avant-Garde backgrounds. You can use a combination of vintage fonts and stickers to give your design a more dynamic look. If you don’t have time to do it yourself, simply tap Replay on the image below and recreate it easily with your own images.

“It’s 2020 and Cyberpunk is still going strong,” confirms Kate. “Personally I’m looking forward to playing the upcoming video game Cyberpunk 2077. The retro future aesthetic is everything I wished for and more.”

Thanks to Andy Warhol and Roy Lichtenstein, pop art is back in 2024. This style uniquely emphasizes clichéd symbols of popular culture with modern elements like circles, pops of color, irony, and vision. It was regularly seen in fashion magazines and comic books to fine art.

In order to create your very own Bauhaus collage, you’ll simply need to open the Picsart app on your phone and search for Bauhaus or Avant-Garde backgrounds. You can use a combination of vintage fonts and stickers to give your design a more dynamic look. If you don’t have time to do it yourself, simply tap Replay on the image below and recreate it easily with your own images.

Cinematic artwork

The most bodacious example of the employment of Hopper’s frames in film is in Gustav Deutsch’s 2013 singular work Shirley: Visions of Reality, which recounts the life of a fictional actress named Shirley through thirteen paintings by Edward Hopper. There is a specific lack of narrative flow in Deutsch’s film, owing to its heavily constructed nature, but what catches the eye is the interplay of the discernible color scheme, the blocking, and the lighting (that is peculiar to Hopper), creating a cinematic space where the characters on screen remain ensconced in an embrace of emptiness, wrapped in “the loneliness thing.”

Cinematic framing involves the strategic arrangement of elements within a scene to direct the viewer’s attention and enhance the narrative. Painters have adopted this technique to create a sense of movement and story within their static compositions. By using techniques such as close-ups, wide shots, and off-center framing, artists can evoke the feeling of a film still, drawing the viewer into the scene and encouraging them to imagine the unfolding narrative.

The ochre tones of the room they are in, their passionate gestures, the floral and elaborate dress worn by Dolores, all evoke the attire of Emilie Flöge, the painter’s companion at the time. Whether it’s in the painting or on the big screen, you can easily feel the firmness and passion through this embrace that exudes a sense of distress on Martin Scorsese’s part.