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• Original art
• Cinematic artwork

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Raphael’s Transfiguration ends my exhibit with its dynamic, energetic portrayal of drama through form. Unlike the other pieces, The Transfiguration does not contain the same lighting structure that generates this notion of a stage in the literal sense, but rather utilizes the same color technique to imply an expansive, unusual depth best android casino real money. The figures’ determined, desperate movements force the energy of the piece seemingly outwards into 3-dimensional space, echoing the movements of the Christ figure. The piece portrays the climactic instance of the Gospels; the Transfigured Christ appearing with Biblical figures from the heavens represents a victorious triumph over the evil of sin and death itself. In a sense, this piece is a Biblical curtain call to the stage production of the Gospels; the key players emerge at the absolute height of their emotional involvement. Raphael’s decision to include the scene of the demon-possessed boy heightens the triumphant rise of Christ; mankind cannot perform the miraculous without the presence of the Savior. This piece serves as both the climax and resolution to the exhibit as a whole, providing a resolution through a stage-like use of character drama, even within a 2-dimensional representation.

Everyone can recognize the look of the theater stage. The lighting is dynamic with sharp contrast, the figures are starkly illuminated, and almost everything is exaggerated in some way, whether in costume or in gesture or both. The theatre carries a wonderful notion of story-telling and imagination with it that creates a framework for imagination. The dark curtains and raised platforms of the stage create the illusion that scenes that play before the viewer are in fact real, and that the audience is merely intruding on a story that would have happened regardless of whether or not they were listening in. This, to me, is the essence of the stage. In a sense, nearly all artistic arrangements of figures within a piece draw from the same principles that make up the ways in which a director would position actors within a scene. Paintings of interactions between people can be created to have an almost cinematic feel, drawing from that same notion that what is happening within the image would happen by itself, regardless of whether or not the viewer was there to see it. These images aren’t static; the events depicted are motion-oriented, and the viewer is almost always left wondering what might happen next within the scene. These works in particular create their own “stages”, where some of the details of the locale are shrouded through tenebrism or infinite space, placing more importance on the figures and their implied actions. This gallery is a collection of Renaissance and Baroque paintings that depict events happening within their own stages, alluding to the idea of being in theater.

Students interested in studying theatre arts can pursue undergraduate and graduate degrees in performance, directing, playwriting, and design. Institutions like Kalamazoo College and Marymount Manhattan College provide dedicated programs focused on both the theoretical and practical aspects of theatre.

Original art

A redirection has been made from YourArt to ArtMajeur, as the two platforms have merged. All content, artworks, and artist spaces are now available here. You can continue browsing on ArtMajeur, the largest online art platform in the world.

Of je nu je eerste kunstwerk voor de verkoop ontdekt of je nieuwste creatie aanbiedt, wij brengen kunstliefhebbers en kunstenaars samen door middel van doordachte curatie, krachtige tools en vertrouwde wereldwijde ondersteuning.

ArtPal is an online art gallery to buy art & sell art, where you’ll discover an incredible collection of paintings, photography, drawings & illustrations, digital art & AI, mixed media works, original art and art prints. From new artists to renowned artists, you’ll experience a huge gallery with an extensive array of paintings & artworks for sale, while also being easy to browse, search, and purchase. Explore art spanning various periods and styles, including modern art, contemporary art, pop art, abstract art, and much more.

Of course ArtMajeur is mostly an art shop, as artists need to showcase and sell their art, but apart from the sale, we do love all arts, and certainly hope the platform we created reflects just that. Our art marketplace is not limited to view artworks and exclusive collections. We want it to be a place where art culture lives: the art shop is bound to a cultural space where one can also browse art fairs, explore hist favourite artist exhibit, learn about the latest art news and events and exhibitions. For those who enjoy going to the museum, contemporary art galleries, or even learn about arts at the library, our art blog provides useful tips to collect and buy modern art, gives you a better understanding artistic movements with portraits of famous artists and iconic works. Also with a glimpse of art history, we talk about both ancient famous arts and the most important works of the century. ArtMajeur is not only an art shop but also a vibrant art community where creative people who create, make and fabric the arts, including art major students (art schools, university and college student) can talk about the sale of artworks in their art shop. They can meet art lovers, art critics and people from the art market to talk about culture, enquire about a major exhibition and exchange about arts.

In addition, it’s easy to frame & mat most any artwork you find on ArtPal, using the powerful online frameshop. Featuring high-quality frames & mats with unparalleled custom framing workmanship and attention to detail, you’re sure to be thrilled with your new art.

Cinematic artwork

Among the numerous artworks displayed, there’s Picasso’s Portrait de Sylvette (1954) and Jacqueline aux fleurs (1954). Godard strategically places these two left-facing artworks side by side, with Pierrot looking in the opposite direction… In cinematographic fashion, Godard creates art from art, relying on Picasso’s work to compose his own masterful frames.

Elio’s room soon becomes Oliver’s, the visiting doctoral student played by Armie Hammer. The result is a kind of mélange between the two. Elio’s interests and belongings seep into Oliver’s and vice versa, eventually leading them to call each other by their names.

With his camera patiently lingering on the composition, actors and sets are arranged within spartan, yet carefully composed scenes. Dreyer intentionally used his sets to convey the dispositions and emotions of his characters, rather than relying entirely on the performances of the actors themselves. In his letter to film critic Erik Ulrichsen, the director stated,

Finally, Wes Craven’s ‘Scream’ finds its iconic mask in Edvard Munch’s ‘The Scream’. The movie’s memorable mask is a direct descendant of Munch’s agonized figure, turning a painting into a pop culture phenomenon.